Formerly taught at prominent architectural institutions including National Yang Ming Chiao Tung University, Tamkang University, and Ming Chuan University. Author of〈GHPython Geometric Computing Design〉, which focuses on programming language instruction and algorithm-based geometric creation. Since 2013, utilized computer programming, digital manufacturing, and interactive mechanisms for creative expression. Through digital technology, aimed to push perceptual boundaries and explore the interplay of intricate patterns in virtual and real spaces. Invitations to speak at various educational campuses and organizations stemmed from this experience.

2013年開始以電腦程式演算、數位製造、互動機構為創作媒介，透過數位科技擴大感知的邊界，致力於尋找虛擬環境中的複雜型態之美與現實空間的交匯點。 作品曾於台北市立美術館、台北當代藝術館、高雄金馬賓館當代藝術館、台灣當代文化實驗場、華山文化創意產業園區、台北URS、DMO等多地展出。曾任教於陽明交通大學建築研究所、淡江大學建築系、銘傳大學建築系，並著有《GH Python幾何運算設計》一書，內容為程式語言教學，並以演算法進行幾何生成與創作。

Graduated from the Advertising Department of Culture University, entered the industry in 2011, and left the creative field in 2022. Over about 10 years in advertising, repetitive tasks like "ASAP commands", "idea brainstorming battles", and "unbelievable briefs" have become routine. Unknowingly, I've embraced them fully, almost like a genetic alteration, even down to my core. Now in my thirties, I've realized it's wiser not to create things against my heart's desires. Oh, and yes, I'm not an artist, just home with time to coexist !

文化大學廣告系畢 2011年自業務入行，2022年從創意離場。短短十多年的廣告生活中，那些「ASAP的指令」、「Idea發想車輪戰」、「unbelievable 的BRIEF」等，差不多是以上所述，日日重複。不知不覺中，全身上下、從頭到腳，乃至DNA，都徹底地執行、甚至如基因改造一般地，實踐著「揮霍」與「張揚」。一回神，已面臨三十下半場。終於意識到，與其完成那些違背心意的創作，不如不做。 於是，遂成為GDAP 計劃的一枚螺絲釘，力求所作所為，均能由衷於心。 哦！對了，我不是藝術家，我只是閒來沒事都在家。

Since its founding in 2020, Zhi Design Studio has adopted a diversified business approach. While specializing in interior and architectural design, the studio has also ventured into various other design-related projects. Graduated in Architecture from Tamkang University in 2012. Exhibited in IEAGD International Architecture Graduation Designs, receiving a Jury Award. Worked as project designer at Shihe Architects. Curated "Post-60s Residential Architecture" exhibition in 2015. Contributed to Taïrroir's design in 2016. Co-curated "Meeting Annie and Grandma" exhibition in 2018. Involved in Aragna Shipyard restoration in 2019. Established SKIV STUDIO in 2020. Engaged in Urban Transformation Concept Competition in 2023.

2012年畢業於淡江大學建築學系。曾在IEAGD國際建築學畢業設計展中展出，並獲得評審獎。曾在十禾建築事務所擔任項目設計師。 2015年策劃了「60後中/低層住宅策展」展覽。 於2016年貢獻於Taïrroir的設計。 2018年共同策劃了「安妮與阿嬤相遇特展」展覽。 2019年參與了Aragna造船廠的修復工程。 2020年成立了崎設計工作室。於2023年參加了城市轉型概念競賽。 自2020年創立以來，崎設計工作室是一個多方面的工作室。雖然專門從事室內和建築設計，但工作室還涉足了各種其他與設計相關的項目。

Born in 2001 in Taipei, Taiwan, and graduated from Tung Hai University with a degree in Industrial Design. Specializing in product design and graphic design, Lin has received notable accolades such as the Golden Pin Concept Design Award in Taiwan and the Red Dot Design Award in Germany for the work "Sample Mt.". Lin enjoys breakthroughs in challenging interdisciplinary thinking, relishing the moments when new sparks of inspiration collide. 2023 YODEX 2023 Golden Pin Design Award：Communication Design 2023 Red Dot Award：Brands and Communication Design 2023 World Design Assembly Tokyo 2023 Taipet Fashion Week－Gioia Pan/ Motion 2023 〈AI Sees Keelung〉Keelung Fashion Gateway/ Visual 2023 Best of Golden Pin Design Award 2023 Golden Pin Design Award 2023 Exhibition 2024 Milan Design Week

2001年出生於台灣台北市，畢業於東海大學工業設計系。擅長產品設計、平面設計，曾以「樣山」這項作品獲台灣金點概念設計、德國紅點設計獎。樂於挑戰各方面跨領域之突破與思考，喜歡靈感碰撞出新火花的瞬間。 2023 新一代設計展 2023 金點新秀傳達設計獎 2023 德國紅點品牌暨傳達設計獎 2023 World Design Assembly Tokyo 2023 台北時裝周－潘怡良秀/ 動畫 2023 〈AI Sees Keelung〉基隆潮時尚/ AI互動時尚看板（視覺設計） 2023 金點概念設計獎 年度最佳 2023 金點設計展 2024 米蘭設計周

Graduated from Institute of Music, Taiwan National Chiao Tung University with a master degree at Multimedia and Music Composition. Engages in contemporary and cross-domain creativity in multimedia art, also participated in the audio arrangement, music composing, sound recording and mixing in commercial or creative purpose. Cheng's works attempt to explore the connections between physics in music and the impact on the human body and self-awareness. By adapting instrument, projection and interactive installation, Cheng intends to present various diversity of digital music. Cheng had worked with musicians, artists and arts groups in different fields, Anarchy dance theatre, InTW Studio, Luxury Logico, noiseKitchen Art Co.,Ltd., etc. Cheng staged his own concert "YAN YAN", "Ho", "U236" in 2014. In 2016 Cheng joined The 27th Golden Melody Awards as postprocessing of sound in the nomination announce video and 14th president inauguration in charge in the rearrangement of "Formosa Chorus". Cheng also assigned as Sound Programer in 2017 Taipei Summer Universiade opening ceremony. 2020 Taipei Fashion Week opening ceremony Music Director. 2021 National Intercollegiate Athletic Games opening ceremony Music Director.

畢業於台灣交通大學音樂學院，獲多媒體及音樂作曲碩士學位。從事多媒體藝術的當代跨領域創作，也參與商業或創意用途的音訊編曲、作曲、錄音及混音。 作品試圖探索音樂中的物理學與對人體和自我意識的影響之間的關聯。透過樂器、投影和互動裝置的運用，程試圖呈現數位音樂的多樣性。曾與不同領域的音樂家、藝術家及藝術團體合作，Anarchy舞蹈劇場、InTW Studio、Luxury Logico、noiseKitchen Art Co., Ltd.等，曾舉辦個人演唱會《YAN YAN》、《Ho》、《U236》 。也曾在2017年台北世界大學生夏季運動會開幕式中擔任聲音程式設計師。 2020台北時裝週開幕式音樂總監。 2021年全國大專運動會開幕式音樂總監。

Art dealer, artist, and educator. He holds a Master of Fine Arts (MFA) degree from Tufts University in Boston. Currently, he leads tours at The Museum of Modern Art (MoMA) in New York, while also co-running Ruomu Gallery in Taipei.

藝術經紀人、策展人、教育者，波士頓 Tufts University 藝術創作碩士（MFA）。 現於紐約現代藝術博物館（The Museum of Modern Art）負責接待國際貴賓與帶領講解，同時共同經營台北若木藝廊。

Currently a PhD candidate at the Graduate Institute of Applied Arts at National Yang Ming Chiao Tung University, focusing on the study of visual vocabulary in film and virtual reality. With a background in the film VFX industry spanning 10 years, expertise encompasses Matchmoving and virtual production integration. Teaching positions held at National Yang Ming Chiao Tung University, National Tsing Hua University, and National Kaohsiung Normal University.

目前為國立陽明交通大學應用藝術研究所博士候選人，專注於電影與虛擬實境中的視覺語彙研究。擁有長達十年的電影視覺特效（VFX）產業經歷，專業領域涵蓋匹配拍攝與虛擬製作整合。 曾在國立陽明交通大學、國立清華大學及國立高雄師範大學擔任教職。

Proficient in the interdisciplinary fusion of mechanical dynamics and optoelectronic visual arts. Works are presented in the form of kinetic installations, integrating elements of light and electronics with mechanical power devices and computer programming languages. Often employing contemporary media that bridge traditional craftsmanship with modern experimental materials such as wood, metal, glass, casting, CNC, 3D modeling, and circuit design. The creations explore spatial, natural, and humanistic perspectives, employing techniques such as spatial perception, environmental psychology, and visual illusion. Philosophical speculation is integrated to shape the artwork, focusing on observing life's details and transforming them through objective imagination to blend seamlessly into the spatial environment.

精通機械動力學與光電視覺藝術的跨學科融合。作品以動態裝置的形式呈現，將光與電子元素與機械動力裝置和計算機程式語言相結合。常使用當代媒材，將傳統工藝與現代實驗材料相橋接，如木材、金屬、玻璃、鑄造、CNC、3D建模和電路設計等。 創作探索空間、自然與人文視角，運用空間知覺、環境心理學與視覺錯覺等技術。哲學性思考被融入其中，塑造作品，專注於觀察生活細節，並通過客觀的想像力將其轉化，與空間環境無縫融合。

Known as "Dashixiong", has embraced Japanese cuisine. Trained by Hirohisa Koyama at Aoyagi, he now promotes his master's culinary philosophy in Taiwan. This follows the Shu-Ha-Ri concept: preserving tradition (Shu), innovating within it (Ha), and creating his own path (Ri). According to "Si Wu Zi (思無字)", this process mirrors the idea that "meaning cannot be fully expressed by words, and words cannot fully capture meaning." Chen first masters and preserves traditional techniques, then innovates based on this foundation, and finally achieves self-expression, creating his unique culinary philosophy.

陳昱亭 aka 大師兄，戀愛上了日本料理。他曾入社於小山裕久的青柳學習，現在回台推廣師父的料理和哲學。這符合守破離的概念：守住傳統，繼承師父的技藝和理念；破是基於傳統進行創新，探索自己的風格；離則是完全自我實現，創造出屬於自己的料理哲學。 根據《思無字》的哲學，這個過程體現了「意不盡字，字不窮意」的理念。守的階段注重對傳統的深入理解和體會；破的階段強調在傳統基礎上的突破和創新；離的階段則是完全自由地創作和表現，超越傳統框架，實現自我風格。

Tai Mei A Taiwanese photographer and experimental artist. Her work, including the "Made in Taiwan" series, explores Taiwan's complex history and celebrates its vibrant cultural identity. Through her "La Tai Mei La Resistance" series, she challenges gender stereotypes, showcasing the multifaceted nature of Taiwanese women while reclaiming "Tai Mei."  Tai Mei's art captures the strength and resilience of the Taiwanese people, weaving powerful narratives that challenge perceptions and raise global awareness about Taiwan's unique place in the world and its evolving social dynamics.

Tai Mei 一位台灣攝影師與實驗藝術家。她的作品，包括「Made in Taiwan」系列，探索台灣複雜的歷史，並慶祝其充滿活力的文化認同。透過「La Tai Mei La Resistance」系列，她挑戰性別刻板印象，展示台灣女性的多面向特質，同時重奪「Tai Mei」的意涵。 Tai Mei 的藝術捕捉了台灣人民的堅韌與毅力，編織出挑戰既有觀念的強大敘事，並提高全球對台灣獨特地位及其不斷演變的社會動態的認識。

Jian-De, known by the moniker "Almost Human," is a California-born artist who immigrated to Taiwan in 2019. For most of his life, Jian-de felt that art was a walled garden due to considering himself "astoundingly bad at drawing," Jian-de's artistic journey began when he picked up his wife's old camera during her photography studies. This experience opened the door to his creative mind, leading him to excel in photography and eventually quit his career to pursue it full-time. Jian-De sees both photography and AI as tools that lower the barriers to creative exploration while offering depth and complexity for those who choose to go further. He believes that "AI tools are cameras for your imagination," allowing anyone to capture and express the visions of the human mind. As "Almost Human," Jian-de creates works that blend Californian influences, Taiwanese inspiration, and cutting-edge technology, challenging viewers to reconsider the boundaries between human creativity and artificial intelligence.

又稱"Almost Human"，是一位加州出生的藝術家，於2019年移居台灣。 大部分時間，諫德認為藝術是一個圍牆花園，因為他曾經認為自己「極度不擅長畫畫」。諫德的藝術旅程開始於他拿起妻子在學攝影時使用的舊相機。這段經歷打開了他創造力的大門，讓他在攝影上表現出色，最終放棄了原有的職業，轉而全職從事攝影。 諫德認為攝影和人工智能都是降低創作探索門檻的工具，同時也為那些選擇深入探究的人提供了深度與複雜性。他相信「AI工具是你想像力的相機」，讓任何人都能捕捉並表達人類思維中的視覺。 作為"Almost Human"，諫德創作的作品融合了加州的影響、台灣的啟發與尖端技術，挑戰觀眾重新思考人類創造力與人工智能之間的界限。

Taiwanese pianist and composer specializing in improvisation, honored by New York City Jazz Record and awarded "Best Instrumentalist" and "Best Jazz Single" at the Golden Indie Music Awards. Founder of the improvisational group Ka Dao Yin, he has led international performances and co-founded the Taiwan International Improvised Music Festival. His recent project, Music Unboxed, supports global exchange and music education.

台灣鋼琴家及音樂創作人，專注於即興演奏。榮獲美國 New York City Jazz Record 年度新發行榮譽提名、第六屆金音獎「最佳樂手」、第七屆金音獎「最佳爵士單曲」等獎項。 2010年成立「卡到音即興樂團」，並多次帶領樂團獲得金音創作獎及傳藝金曲獎，活躍於國際舞台。2015年共同創辦「台灣國際即興音樂節」，致力於推廣即興音樂及跨藝術領域合作，並發起《音樂開箱計畫》以促進國際交流與音樂教育發展。

Grounded in parametric design and digital manufacturing since 2020. Learning, collaborating, and creating with various talented individuals. After graduating from Tamkang University Dept. of Architecture in 2023, still live and breathe in architectural design, with goals of teaching, learning, and problem-solving, persistently cultivating this land of design. Someone with bits of architecture, digital, engineering, mechanical, installation, art, design... in their blood, using greed as curiosity. Most of Justin's work serves as small screws, appearing in tiny corners of projects, simply hoping to meet like-minded people to work together. Collaboration with APUJAN 3D Accessory 2022-2025, APUJAN Restaurant A "Cloud Mist," APUJAN NOKE Counter 2023, APUJAN Xinyi A4 Counter 2024. Currently teaching at Tamkang University Dept. of Architecture and IDCM Studio, hoping to leave behind some digitally-sensitive young minds and watch them grow.

2020年以參數化設計和數位製造為依靠，陸續和各路好手學習、協力及共同創作。2023畢業於淡江建築學系後繼續以建築設計為家，傳道、受業、解惑為目標，持續耕耘設計這片土地。各有一點建築、數位、工程、機械、裝置、藝術、設計...的血液，把貪心當好奇心用的人。 作品大多做為小螺絲釘，出現螢幕上的小小角落，只求能遇到志同道合的人一起玩玩。協力 APUJAN 3D Accessory 2022-2025、協力 Restaurant A - APUJAN「雲霧」、協力 APUJAN NOKE 專櫃 2023、APUJAN 信義 A4 專櫃 2024。任教於淡江大學建築系、IDCM Studio工作室，期望留下一些對數位有感應的小朋友們，看著他們長大。

Currently supporting offline operations as a behind-the-scenes coordinator in the GDAP team. Graduated from Takming University of Science and Technology with a degree in Business Administration, specializing in Fashion. Skilled in communication and collaboration, I thrive in cross-disciplinary environments, where I enjoy building consensus and creating meaningful connections. In this era that values versatility and multi-faceted talents, I continue to explore and embrace diverse roles that highlight my strengths.

現為GDAP團隊中擔任協助處理線下事務的小精靈。 畢業於德明財經科技大學企業管理系時尚組，擅長溝通與協作，樂於在跨領域合作中尋找共識與創造連結。在這個強調多元發展與斜槓精神的時代中，持續探索並發揮自己的多重角色與價值。